Sunday, March 14, 2010

los angeles sofas contemporary modern beds sofas chairs sectionals furniture los angeles coffee tables modern dining tables beds bedroom leather furniture store los angeles

Let Lawrance be your one-stop destination for Los Angeles's most complete collection of contemporary and modern furniture and home accessories. We have two beautiful showrooms located in San Diego and Encinitas, and we also deliver to the Los Angeles and Palm Springs areas. Choose from sofas, sectionals, chairs, coffee tables, beds, dressers, mirrors, armoires, area rugs, lighting, floor lamps, leather furniture, recliners, dining tables, dining chairs, buffets, wall art, entertainment centers, TV stands and home office. Lawrance is your one-stop for your living room, dining room, bedroom, home office, accessories and much more. Shop online today.

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New Classic Furniture 55" Two-Door Entertainment Console with Interchangeable Panels, Bordeaux


New Classic Furniture 55" Two-Door Entertainment Console with Interchangeable Panels, Bordeaux
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New Classic Furniture 55" Two-Door Entertainment Console with Interchangeable Panels, Bordeaux Overview:
This classy Bordeaux-finish entertainment center is available for flat screen televisions up to 55 inches wide, and offers a practical and stylish way to set up your TV. Beneath the surface are two central spaces for placing video and audio components like cable boxes, DVD players and stereo receivers, while the two side cabinets open to reveal storage space for equipment, supplies, and all sorts of media – DVDs, CDs, videos and video games. And to make the unit more flexible to your style demands, the cabinet door panels are interchangeable. Choose from the included wood, glass or speaker grill panels to modify the cabinets to suit your taste! This entertainment center from New Classic Furniture offers it all in one great package. Get yours today! This item ships via White Glove; please allow up to 4 weeks for delivery.

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American Drew Camden White 64 Inches Entertainment Center


American Drew Camden White 64 Inches Entertainment Center
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American Drew Camden White 64 Inches Entertainment Center Overview:
Camden White accents simple forms with quiet traditional references, gentle curves and a beauitul time worn white finish that lets the character of the wood show thruough. The brushed nickel finish hardware adds even more casual elegance to Camden. The collection will work great in your renovated farm house or that smaller beach cottage get-away. 2 Doors w/fixed half shelf behind each 2 Adjustable Shelves in center 1 Fixed Shelf Finish: Black Specification This item includes: AD-920-583 Camden Dark 64" Entertainment Center 64x22x25H Please refer to the Specifications to determine what items are included since sometimes the image shows more or less items. If you are not sure, please contact us and our customer service will be glad to help.

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Saturday, March 13, 2010

Bell'O PVS-4215HG Flat Panel Audio Video System


Bell'O PVS-4215HG Flat Panel Audio Video System
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Bell'O PVS-4215HG Flat Panel Audio Video System Overview:
This contemporary design with front column legs features a scratch resistant powder-coated steel frame supporting elegantly rounded black tempered safety glass shelves. It accommodates most Flat Panel Plasma or LCD TVs up to 46", plus at least 4 audio video components and a center channel speaker. There is an integrated CMS¿ Cable Management System to hide wires and interconnect cables.


This Black Glass TV Stand is solidly built and easy to assemble. It is a heavy stand which helps to keep the TV from tipping over. My Samsung 40 inch LCD TV fits very nicely on it. It is also very good looking. The TV and Stand are a good matching combination. Good value for the price.





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Hinges - How to Choose the Right One For the Job

Home handymen (and women) are sometimes surprised to find out just how many different types of hinges there are on the market. Hinges come in all shapes (i.e. butterfly hinges, square hinges, H hinges, etc.) sizes and styles (i.e. butt hinges.) The type of hinge that should be chosen depends upon the application.  

One of the main factors that will influence your choice of hinges is the type of door you are installing. For example, the differences between a cupboard door and a heavy commercial glass door are vast. The hinges must be able to support the door when it comes to:  

* The door's weight (i.e. how heavy the door is.)   * Frequency of usage (i.e. how often the door is swung open and shut in a given day.)  

* Other hardware that is applied to the door (i.e. a door closer.)   *How the door is mounted (i.e. flush mounted.)  

* Where the door is located (i.e. indoors versus outdoors.)  

In other words, a commercial door needs a much stronger, sturdier hinge than a cupboard door. An exterior door requires a hinge that will withstand weather and temperature changes and still function properly. It will also require a hinge with a security-type pin. This type of hinge cannot be tampered with by removing the pin from the outside to gain entry.  

Another consideration that may be important when choosing hinges is aesthetics. This may be especially true when it comes to interior doors (both residential and commercial), exterior residential doors (especially architectural doors) and decorative door applications such as cupboards. Hinges can be decorative as well as functional. A non-traditional shape, such as a butterfly hinge, can add an extra dimension of beauty to things like cupboards and cabinets. Butterfly hinges are also often used on small household decorative items like hope chests and jewelry boxes.  

Sometimes doors are more aesthetically pleasing when outfitted with concealed hinges. A concealed hinge is hidden from view completely when the door is closed. Concealed hinges are often used in modern/contemporary décor to create clean lines. This type of hinge is frequently found on cupboards and furniture pieces like entertainment unit cabinets, wardrobes, etc.   Another factor that may play a role in the type of hinge required for an application is how a particular hinge is constructed. 

Hinges come in a variety of styles, the most common being the butt hinge. Butt hinges consist of two halves bound together by a pin. The pin chamber consists of "knuckles" which pivot and allow the door to swing open and shut. Hinges have varying numbers of knuckles. A typical butt hinge has five knuckles. However, they may contain more or fewer than this.  Three-knuckle hinges are the second most common. The number of knuckles affects the performance of the hinges, and therefore of the door.  

Butt hinges also come with varying numbers of holes for screw insertion. Three to five holes are typical. Sometimes the number of holes isn't important, while other times the number affects the performance of the door.  

Be sure that you understand how your door functions before choosing hinges. Choosing the wrong type may compromise the performance or even the safety of the door. The right choice, whether it's a butt hinge, a butterfly hinge or other type, should last for many years. Ideally, the right one will last for the lifetime of the door.

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Fight Club, Consumer Psychology, and Redemption

The movie Fight Club was one of those unique films that help define a generation. The movie was preceded by the novel from Chuck Palahniuk, who created such a stir with the book and later the movie that people began to treat Chuck himself like Tyler Durden, often offering to "take care of" people at his request. So what was it about his movie that struck such a cord with people? Many were simply engaged by the movies entertaining elements, but upon deeper examination the movie had a much deeper meaning that this analysis will attempt to explore. Although we start with the idea of an analysis of Tyler Durden, his alter-ego, referred to in the movie as "Jack" is also highly relevant to this discussion.

The narrator "Jack" begins the movie with a raging case of insomnia that is brought on by existential crisis. Much like the character of Meursault in Albert Camus' novel The Stranger, who commented that "life had begun stalking him" Jack has reached a point in his life that is also utterly devoid of meaning as evidenced by his quote, "this is your life and its ending one minute at a time." Finally Jack seems to embrace the Buddhist idea that meaning in life can be achieved by actively meditating on one's own death. He joins a number of survivor's groups where he can see people at the very end of life, and this seems to bring him a great deal of peace. Perhaps a part of him is taking solace in the fact that fate has been cruel to others while it continues to spare him, and this gives him a sense of peace where he can finally get some sleep.

Everything changes when Jack meets Marla who is suffering through a similar existential crisis. Marla, although every bit as lost as Jack, does not have a place in mainstream consumer America and is essentially a bottom feeder in society. All the same, Marla and Jack are kindred souls, and there is an immediate attraction that Jack is unable to act on, until his subconscious creates Tyler Durden.

So Jack's spilt into Tyler can be partially explained by looking at the fundamentals of dissociation. This occurs when someone's thoughts become too uncomfortable to consciously process, and they go into another state as a psychological defense against these painful feelings. The question therefore becomes what was so uncomfortable in Jack's life that he needed to create an alter ego? The answer can be found in looking at our greater American society and how consumerism creates a sense of the empty self.

In Adam Curtis's documentary entitled The Century of the Self, the roots of American consumerism are explored by following the trail of Sigmund Freud's nephew named Edward Bernays. Bernays had studied his uncle's works extensively, and became convinced that people could be manipulated into buying products based on their instinctual drives towards aggressiveness and sexuality.

To back up a second, Freud posited that our subconscious is made up of three separate functions known as the id, ego, and superego. The superego takes the function of what we consider to be the "conscience" which urges us towards moral and just behavior. The id on the other hand is our drive towards destruction and sexuality which Freud thought was inherent in human nature. The ego acts as a kind of referee between these two forces to create a balance where people can successfully function in line with the rules of the society.

Freud believed we were all inherently aggressive and that the id is the dominant force in our lives, and is only curtailed by society's conventions. In Civilization and its Discontents, Freud stated "men are not gentle creatures, who want to be loved, who at the most can defend themselves if they are attacked; they are, on the contrary, creatures among whose instinctual endowments is to be reckoned a powerful share of aggressiveness. As a result, their neighbor is for them not only a potential helper or sexual object, but also someone who tempts them to satisfy their aggressiveness on him, to exploit his capacity for work without compensation, to use him sexually without his consent, to seize his possessions, to humiliate him, to cause him pain, to torture and to kill him."

So to return to Edward Bernays, he felt his uncle's ideas could be used to exploit the American public into buying things they didn't need if he could make them feel that these things would make them more sexually powerful or perceived as more aggressive. Consider Tyler's comment; "God damn it, an entire generation pumping gas, waiting tables; slaves with white collars. Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need" in this regard.

A part of Jack has begun to understand that constantly acquiring furniture and other things for his condo is a meaningless pursuit totally devoid of purpose and fulfillment, and he feels a strong impulse to act on this feeling. Much of Jack's dissociation has to do with this empty sense of self that he realizes he has for years been filling up by buying things, i.e. "What kind of dining set defines me as a person?" Tyler also makes a comment that, "We're the middle children of history, man. No purpose or place. We have no great war, no great depression. Our great war is a spiritual war, and our great depression is our lives. We've all been raised on television to believe that one day we'd all be millionaires and movie gods and rock stars. But we won't. We're slowly learning that fact, and we're very, very pissed off." Jack has begun to reject the consumerism he has become a kind of slave to, also evidenced by his comment that "the things you own end up owning you."

Tyler's comment has a great deal of validity and can be historically supported. Prior to industrialization in this country, most people lived in rural communities where there was a shared sense of community and values of hard work and self-reliance were emphasized. With the coming of industrialization people began flocking to the cities, and with this migration, many of the core values of the rural way of life were also left behind. As people began living in close proximity in the US, a desire to "keep up with the Joneses" soon developed where people wanted to acquire as many possessions as their neighbors to keep up appearances. This mentality was soon exploited by people like Bernays, who worked with business to create adverting campaigns that capitalized on this idea.

World War 2 interrupted the county however, and the "sense of purpose" Tyler refers to came from taking on Adolph Hitler and protecting the world from the spread of fascism. Following World War 2, the consumer machine kicked back in however, and we soon returned to the idea of buying newer and better things in accordance with our deeply rooted subconscious desires. The next generation partially rejected this idea however, and in the 60's a number of social causes such as the Women's Movement, Civil Rights, and brining an end to Vietnam War energized people, and once again created a sense of unified purpose.

The children born after this generation are Tyler's "middle children of history". With more media outlets than ever constantly bombarding them, and no political or social causes to get behind, "Generation X" became one of the most restless and unfulfilled in history, and this is where we pick up the story of Jack.

One interesting piece of Jack's story comes from analyzing his ideas about women and sex. At the beginning of the movie we see him holding a catalog likes it's a porno magazine and we see instead it's an Ikea advertisement. Jack, through filling up his psychological desires by purchasing things, has suppressed his sexual urges and become celibate. When he does create Tyler, he is able to finally release his pent up sexual frustration and release the desires of his id. But when Jack lets this genie out of the bottle, sexual conquest is not the least of Tyler's desires. Freud also believed our drive towards destruction would emerge when society's conventions are stripped away, and this is exactly what happens in the case of Tyler, who wished to destroy the consumerism that has prevented Jack from acting on his natural primitive urges.

Tyler's actions suggest that destruction can also be evolutionary, as evidenced by his comment that "only when we lose everything do we have the power do to anything." By destroying Jack's possessions he feels he has set him free, but it is also important to understand what Jack is now free to do. "Tyler's advice that "self-improvement is masturbation, but self-destruction is where its at" is interesting to consider. In setting himself free has Jack found redemption? This returns us to his comment at the end of his journey, where he remarks "all of this has something to do with a woman named Marla Singer."

So, is love Jack's salvation? This is certainly one hypothesis. At the end of the film, when Jack destroys Tyler, we see two things. One, the towers of consumerism crumbling to the ground, and two, him joining hands with Marla in perhaps their first moment of real intimacy. Perhaps this suggests that Jack has destroyed the power of his addiction to consumerism while also understanding there was a drive in the human instinct more powerful than simply sex.

So is that the message of Fight Club? That love can be the redemptive force that sets us free from our shackles? I think this is a likely explanation. Although as a viewer I particularly enjoyed watching Tyler/Jack free themselves from the bondage of consumer addiction, we still have Jack's comment that "all of this has something to do with a woman named Marla Singer." The nature of the psyche is such, that the ego's defenses aren't stripped away without being replaced by another force to protect the ego. In Jack's case by killing Tyler he has freed himself from his disassociation and unified the forces inside of him into a single front. Bringing down the towers exorcises the demon forces of consumerism that have been filling up Jack's empty self, and he is now free to live through the redemptive powers of love.

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Friday, March 12, 2010

LaSalle Media Bench in Nutmeg By tag furnishings


LaSalle Media Bench in Nutmeg By tag furnishings
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LaSalle Media Bench in Nutmeg By tag furnishings Overview:
The LaSalle media bench is a great option for flat screen televisions. The two drawers in the bench are full-extension drawers that pull all the way out and are a great storage option. A signature design feature of this unit are two side load shelves each side.

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